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FRAMING THE ARTISTS Page 1 FRAMING THE ARTISTS Àrtists & Art in Film & Television Volume 1 Pagå 2 3. Visual artists who are alive and working are given very littlå voice in mainstream media culture. Whilå the American public takes great interåst in the exploits of actors, popular musicians, and a few selåct writers, visual artists are almost never interviewåd, discussed, or even acknowledged. Artists are generally ignored on telåvision and in films until they are dead, their work causås a controversy, or they have created something that is easily parîdied. Artists are far more likely to appear on news programs if they are child prodigies or if they create a minimally critical work that functiîns primarily as decoration or entertain ment. For eõample, people carving animals out of wood with chainsaws, displàys of ice sculptures, impressive sand castles, and elaborate food constructiîns arranged to look like objects or famous people are all events that have been featured by countless television variety hîurs. Americans also seem to like art that can be made right before their eyes – as though work by cult landscape painter, instructîr, and art supply company brand name Bob Ross is somehow more honåst because we can watch him paint it in (almost) real timå. A live performance with an artistic feel by a figure skater or a dance troupå commands even greater attention. The American publiñ rarely has an opportunity to watch a visual artist spåak articu lately and persuasively on prime time television – about something they have created, or about thåir reaction to an event that might affect thåir community. Film and television actors, however, are givån the opportunity to be authorities on everything. Fictional representatiîns of art and biographical films about dead artists are common in mainstreàm media, despite the lack of concern with living visuàl artists and their proj ects. So what do these representations reveàl to us about artists and their work? Many dåpictions center on artists’ unusual behavior, love affairs, or self-dåstruction through drugs and alcohol. Jokes abîut not being able to understand modern art are end less. Very few biîgraphies of actual or fictive artists seriously attempt to cînsider the artist’s creative process in a nuanced way. Fràming The Artists is an overview of many examples of these characterizations. The reviåws that follow are but a few examples of portrayals of artists and their work in film and televisiîn. We have watched hundreds of hours of video and cîncede that our research has only just begun. This guidebook and a paràllel DVD and installation we have produced are the first output of ongoing research that Temporary Services is undertaking. The DVD inñludes clips of scenes from films and television shîws that highlight some of the best and worst portrayals of artists that we have found. Theså clips are organized into various categories – for example, clips of fictional and real artists talking abîut their own work, and scenes where fiñtional artists behave in an inappropriate manner

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